In its finale, WandaVision searches for catharsis
by Ryan Silberstein, Managing Editor, The Red Herring
With mind-based powers, Wanda’s magic included, that often involves things that are even more morally and ethically tense.
by Ryan Silberstein, Managing Editor, The Red Herring
With mind-based powers, Wanda’s magic included, that often involves things that are even more morally and ethically tense.
by Ryan Silberstein, Managing Editor, The Red Herring
Seeing Wanda’s grief through her own eyes is probably the best justification for this series existing.
by Ryan Silberstein, Managing Editor, The Red Herring
To me, the highest compliment I can give WandaVision so far is that it is leaning into the episodic nature of television.
by Ryan Silberstein, Managing Editor, The Red Herring
Wandavision...now in color! With its third episode, the show moves along the sitcom timeline into the late 1960s and early 1970s, more Here’s Lucy than I Love Lucy.
by Ryan Silberstein, The Red Herring
The first two episodes of WandaVision treat the classic American artform of the sitcom as something to be replicated, to delightful effect.