In Crimson Peak

by Shayna Grissom

I am drawn to films that are big, shiny and boldly colored. The Fall, What Dreams May Come, The Fountain, and of course Pan’s Labyrinth, are films that pull my attention every time. I want to feel immersed in a film’s colors and shapes. In an age of loud and flashy, the symbolism behind imagery is often left more to marketing strategy and lacks the sincerity that I need to connect with a film.

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